As reported the New York Times on line and the International Herald Tribune, inspiration is Van Noten Paris, Tokyo and Calcutta. Paris gives elegance and comfortable living, Tokyo is a blend between tradition and modernity, and Calcutta provide energy and cheerfulness.
Van Notten combining batik with a tie, no less festive. Bosses coastal batik brown in color with her flower sarong-style skirt, unified with a purple tie motif, complete with wide shawl around his waist, reminiscent of the style of women's traditional dress in Bali.
The other is a batik motif color broken white barong machete made shirts blouses skirts combined span purple patterned tie. Batik skirts made by the same motives span. Tie also become the main material Van Noten, both as short and long jackets, trousers, dresses, and skirts.
The use of batik, tie, and striated in Van Noten collection this time is not impossible because of the influence of one of his assistants are people of Indonesia, Heaven. Prior to its mode of continuing education in Belgium, he worked at Heaven Biyan Wanaatmadja.
In the hands of Van Noten, fabric processing to get a taste of an acceptable international public. Motif and color remains a hit-and produces a harmonious blend, while for those wishing to secure batik or ikat motifs combined with plain fabrics in a simple silhouette.
Of course, Van Noten is not the first studio to ever wear batik. Previously Paul Smith repeatedly borrow batik pattern, as did Chloe wore Cirebon batik motif overcast clouds, also Armani.
Unfortunately, the international fashion world was not much aware of Javanese batik is very rich and decorative motifs and philosophical meaning. Most consider only the style of batik cloth and do not much care whether made wearing the night or in print. After UNESCO recognizes Indonesian batik as the world's cultural heritage, following joint work is to promote Indonesian batik.
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